“An exquisite meditation on motherhood, marriage and the meaning of home.” —The New York Times In the tradition of The Hours and Revolutionary Road comes...
“An exquisite meditation on motherhood, marriage and the meaning of home.” —The New York Times
In the tradition of The Hours and Revolutionary Road comes a “beautifully written and atmospheric” (Hannah Kent, author of Burial Rites) novel set in England, Australia, and India in the early 1960s.
Cambridge, 1963. Charlotte is struggling. With motherhood, with the changes brought on by marriage and parenthood, with never having the time or energy to paint. Her husband, Henry, cannot face the thought of another English winter. A brochure slipped through the mailbox—Australia brings out the best in you—gives him an idea.
Charlotte is too worn out to resist, and before she knows it they are traveling to the other side of the world. But upon their arrival in Perth, the southern sun shines a harsh light on the couple and gradually reveals that their new life is not the answer either was hoping for. Charlotte barely recognizes herself in this place where she is no longer a promising young artist, but instead a lonely housewife venturing into the murky waters of infidelity. Henry, an Anglo-Indian, is slowly ostracized at the university where he teaches poetry. Subtle at first, the ostracism soon invades his entire sense of identity.
Trapped by nostalgia, Charlotte and Henry are both left wondering if there is any place in this world where they truly belong. Which of them will make the attempt to find out? Who will succeed?
“An exquisite and clear-eyed story of the ambiguities of love and creativity, motherhood and migration…It’s a thing of beauty and honesty, as big as the whole unmoored world, and as particular as a family’s moments and moods,” (Ashley Hay, author of The Railwayman’s Wife).
New: A brand-new, unused, unread copy in perfect condition.
Like New: A copy that looks unread and in perfect condition. Dust jacket is intact, with no nicks or tears. The spine has no signs of creasing. Pages are clean and are do not have any notes or folds of any kind. May have a remainder mark. (usually black or red in colour and is usually a dot or line on the bottom of the book on the page edges).
Very Good: A copy that has been read but is in great condition. May have slight cosmetic defects such as marks, wears, cuts, bends and crushes on the cover, pages, spine and dust jacket if applicable. Pages and dust cover (if applicable) are intact and do not have any notes or highlighting. The spine remains undamaged. May have a remainder mark (usually black or red in colour and is usually a dot or line on the bottom of the book on the page edges).
Good: A copy that has been read but in clean condition. The spine, cover, pages and dust jacket (if applicable) may show signs of wear such as marks, wears, cuts, bends and crushes. Pages and dust cover (if applicable) are intact and do not have any notes or highlighting. May have a remainder mark (usually black or red in colour and is usually a dot or line on the bottom of the book on the page edges).
Acceptable: All pages are intact; the cover is intact. The spine, cover, pages and dust jacket (if applicable) may show signs of considerable wear such as marks, wears, cuts, bends and crushes. Pages can include limited notes in pen or in highlighter, but the notes do not obscure the text. May have a remainder mark (usually black or red in colour and is usually a dot or line on the bottom of the book on the page edges).
The Vanishing Half
The Other Black Girl
As Bright as Heaven
