The Scarpetta Factor
It is the week before Christmas. A tanking economy has prompted Dr. Kay Scarpetta-despite her busy schedule and her continuing work as the senior forensic analyst for CNN- to offer her services pro bono to New York City's Office of the Chief Medical Examiner. In no time at all, her increased visibility seems to precipitate a string of unexpected and unsettling events. She is asked live on the air about the sensational case of Hannah Starr, who has vanished and is presumed dead. Moments later during the same telecast, she receives a startling call-in from a former psychiatric patient of Benton Wesley's. When she returns after the show to the apartment where she and Benton live, she finds an ominous package-possibly a bomb-waiting for her at the front desk. Soon the apparent threat on Scarpetta's life finds her embroiled in a surreal plot that includes a famous actor accused of an unthinkable sex crime and the disappearance of a beautiful millionairess with whom Lucy seems to have shared a secret past.
Scarpetta's CNN producer wants her to launch a TV show called The Scarpetta Factor. Given the bizarre events already in play, she fears that her growing fame will generate the illusion that she has a "special factor," a mythical ability to solve all her cases. She wonders if she will end up like other TV personalities: her own stereotype.
The Scarpetta Factor, the seventeenth in the series, finds the familiar cast of characters together again in New York. Marino is working for the NYPD; Benton Wesley uses his forensic psychological expertise at Kirby and Bellevue; and Lucy continues to dazzle with her expertise in forensic computer investigations as she works yet another case with NY prosecutor Jaime Berger.
- In Stock Out of Stock
- Penguin Publishing Group ( G.P. Putnam's Sons )
- 9780399156397
- October 20, 2009
- Actual Photo
- 512
- L 24.2cm x W 16.5cm x H 4.6cm
Book Condition Notes
New: A brand-new, unused, unread copy in perfect condition.
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Very Good: A copy that has been read but is in great condition. May have slight cosmetic defects such as marks, wears, cuts, bends and crushes on the cover, pages, spine and dust jacket if applicable. Pages and dust cover (if applicable) are intact and do not have any notes or highlighting. The spine remains undamaged. May have a remainder mark (usually black or red in colour and is usually a dot or line on the bottom of the book on the page edges).
Good: A copy that has been read but in clean condition. The spine, cover, pages and dust jacket (if applicable) may show signs of wear such as marks, wears, cuts, bends and crushes. Pages and dust cover (if applicable) are intact and do not have any notes or highlighting. May have a remainder mark (usually black or red in colour and is usually a dot or line on the bottom of the book on the page edges).
Acceptable: All pages are intact; the cover is intact. The spine, cover, pages and dust jacket (if applicable) may show signs of considerable wear such as marks, wears, cuts, bends and crushes. Pages can include limited notes in pen or in highlighter, but the notes do not obscure the text. May have a remainder mark (usually black or red in colour and is usually a dot or line on the bottom of the book on the page edges).